Publication Installments

The following paintings and pastels now contain complete content including curatorial entries, conservation technical entries, and backmatter. Paintings marked by an asterisk (*) indicate technical entries are forthcoming. Objects marked by a caret (^) indicate technical entries will not be forthcoming.

January 2025

Claude Monet, Water Lilies, ca. 1915–1926, oil on canvas, 79 x 167 3/4 in. (200.7 x 426.1 cm), Purchase: William Rockhill Nelson Trust, 57-26

fullscreen

Claude Monet, Water Lilies, ca. 1915–1926*

December 2024

Jean Etienne Liotard, A Lady in Turkish Dress and Her Servant, ca. 1750, oil on canvas, 28 1/2 x 22 1/2 in. (72.4 x 57.2 cm), Purchase: William Rockhill Nelson Trust, 56-3

fullscreen Jean Etienne Liotard, A Lady in Turkish Dress and Her Servant, ca. 1750, oil on canvas, 28 1/2 x 22 1/2 in. (72.4 x 57.2 cm), Purchase: William Rockhill Nelson Trust, 56-3

Henri Matisse, Seated Young Woman with an Amber Necklace, December 1942, oil on canvas, 21 3/4 x 18 1/4 in. (55.3 x 46.4 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.13. © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York

fullscreen Henri Matisse, Seated Young Woman with an Amber Necklace, December 1942, oil on canvas, 21 3/4 x 18 1/4 in. (55.3 x 46.4 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.13. © 2024 Succession H. Matisse / Artists Rights Society (ARS), New York

Jean Etienne Liotard, A Lady in Turkish Dress and Her Servant, ca. 1750, technical entry

Henri Matisse, Seated Young Woman with an Amber Necklace, December 1942

November 2024

Edouard Vuillard, Woman in a Red Dress, or J. R. Against a Window, ca. 1899, oil on millboard, 12 3/8 x 14 3/4 in. (31.4 x 37.5 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.28. © 2024 Artists Rights Society (ARS), New York

fullscreen Edouard Vuillard, Woman in a Red Dress, or J. R. Against a Window, ca. 1899, oil on millboard, 12 3/8 x 14 3/4 in. (31.4 x 37.5 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.28. © 2024 Artists Rights Society (ARS), New York

Edouard Vuillard, The Large Fisherwoman at Low Tide, 1909, pastel and charcoal on blue-gray, wove paper, 19 1/4 x 25 5/8 in. (48.9 x 65.1 cm), Gift of William Inge, 60-91. © 2024 Artists Rights Society (ARS), New York

fullscreen Edouard Vuillard, The Large Fisherwoman at Low Tide, 1909, pastel and charcoal on blue-gray, wove paper, 19 1/4 x 25 5/8 in. (48.9 x 65.1 cm), Gift of William Inge, 60-91. © 2024 Artists Rights Society (ARS), New York

Edouard Vuillard, Woman in a Red Dress, or J. R. Against a Window, ca. 1899

Edouard Vuillard, The Large Fisherwoman at Low Tide, 1909

October 2024

Jean Marc Nattier, Portrait of Isidore Florimond Marié, Seigneur de Toulle et de Foucaucourt-hors-Nesle, a Knight of the Royal French Military Order of Saint-Louis, 1741, oil on canvas, 31 7/8 x 25 5/16 in. (81 x 64.3 cm), Purchase: William Rockhill Nelson Trust, 77-2

fullscreen Jean Marc Nattier, Portrait of Isidore Florimond Marié, Seigneur de Toulle et de Foucaucourt-hors-Nesle, a Knight of the Royal French Military Order of Saint-Louis, 1741, oil on canvas, 31 7/8 x 25 5/16 in. (81 x 64.3 cm), Purchase: William Rockhill Nelson Trust, 77-2

Henri Fantin-Latour, Annual Chrysanthemums, 1889, oil on canvas, 27 1/4 x 25 in. (69.2 x 63.5 cm), Purchase: William Rockhill Nelson Trust, 33-15/2

fullscreen Henri Fantin-Latour, Annual Chrysanthemums, 1889, oil on canvas, 27 1/4 x 25 in. (69.2 x 63.5 cm), Purchase: William Rockhill Nelson Trust, 33-15/2

Jean Marc Nattier, Portrait of Isidore Florimond Marié, Seigneur de Toulle et de Foucaucourt-hors-Nesle, a Knight of the Royal French Military Order of Saint-Louis, 1741*

Henri Fantin-Latour, Annual Chrysanthemums, 1889

September 2024

Edgar Degas, artist; A.-A. Hébrard et Cie, foundry (French, 1907–1937); Albino Palazzolo, founder, Grande Arabesque, Third Time (First Arabesque Penchée), profile view, proper right side, modeled 1885–1890; cast 1937 or later, copper alloy, 17 7/8 x 22 x 11 1/2 in. (45.4 x 55.9 x 29.2 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.8

fullscreen Edgar Degas, artist; A.-A. Hébrard et Cie, foundry (French, 1907–1937); Albino Palazzolo, founder, Grande Arabesque, Third Time (First Arabesque Penchée), profile view, proper right side, modeled 1885–1890; cast 1937 or later, copper alloy, 17 7/8 x 22 x 11 1/2 in. (45.4 x 55.9 x 29.2 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.8

Henri de Toulouse-Lautrec, General Séré de Rivières, 1881–1882, watercolor over pencil on paper, 10 x 7 in. (25.4 x 17.8 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.26

fullscreen Henri de Toulouse-Lautrec, General Séré de Rivières, 1881–1882, watercolor over pencil on paper, 10 x 7 in. (25.4 x 17.8 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.26

Edgar Degas, Grande Arabesque, Third Time (First Arabesque Penchée), modeled 1885–90; cast 1937 or later^

Henri de Toulouse-Lautrec, General Séré de Rivières, 1881–1882^

August 2024

After Jean François de Troy, A Lady Attaching a Bow to a Gentleman’s Sword, 1764 (?), oil on canvas, 25 1/2 x 18 in. (64.8 x 45.7 cm), Purchase: William Rockhill Nelson Trust, 82-36/1

fullscreen After Jean François de Troy, A Lady Attaching a Bow to a Gentleman’s Sword, 1764 (?), oil on canvas, 25 1/2 x 18 in. (64.8 x 45.7 cm), Purchase: William Rockhill Nelson Trust, 82-36/1

After Jean François de Troy, A Lady Showing a Bracelet Miniature to Her Suitor, 1764 (?), oil on canvas, 25 1/2 x 18 in. (64.8 x 45.7 cm), Purchase: William Rockhill Nelson Trust, 82-36/2

fullscreen After Jean François de Troy, A Lady Showing a Bracelet Miniature to Her Suitor, 1764 (?), oil on canvas, 25 1/2 x 18 in. (64.8 x 45.7 cm), Purchase: William Rockhill Nelson Trust, 82-36/2

After Jean François de Troy, A Lady Attaching a Bow to a Gentleman’s Sword, 1764 (?), and A Lady Showing a Bracelet Miniature to Her Suitor, 1764 (?)*

July 2024

François Boucher, Venus with Cupid, 1750s, pastel mounted on card, 14 15/16 x 8 7/16 in. (37.9 x 21.4 cm), Purchase: William Rockhill Nelson Trust, 66-16

fullscreen François Boucher, Venus with Cupid, 1750s, pastel mounted on card, 14 15/16 x 8 7/16 in. (37.9 x 21.4 cm), Purchase: William Rockhill Nelson Trust, 66-16

Camille Pissarro, The Garden of Les Mathurins at Pontoise, 1876, oil on canvas, 44 5/8 x 65 1/8 in. (113.4 x 165.4 cm), Purchase: William Rockhill Nelson Trust, 60-38

fullscreen Camille Pissarro, The Garden of Les Mathurins at Pontoise, 1876, oil on canvas, 44 5/8 x 65 1/8 in. (113.4 x 165.4 cm), Purchase: William Rockhill Nelson Trust, 60-38

Camille Pissarro, Poplars, Sunset at Éragny, 1894, oil on canvas, 28 15/16 x 23 7/8 in. (73.5 x 60.6 cm), Gift of the Laura Nelson Kirkwood Residuary Trust, 44-41/2

fullscreen Camille Pissarro, Poplars, Sunset at Éragny, 1894, oil on canvas, 28 15/16 x 23 7/8 in. (73.5 x 60.6 cm), Gift of the Laura Nelson Kirkwood Residuary Trust, 44-41/2

François Boucher, Venus with Cupid, 1750s, technical entry

Camille Pissarro, The Garden of Les Mathurins at Pontoise, 1876*

Camille Pissarro, Poplars, Sunset at Eragny, 1894*

June 2024

Claude Gellée, called Le Lorrain, Mill on the Tiber, ca. 1650, oil on canvas, 21 3/8 x 28 1/8 in. (54.3 x 71.4 cm), Purchase: William Rockhill Nelson Trust, 32-78

fullscreen Claude Gellée, called Le Lorrain, Mill on the Tiber, ca. 1650, oil on canvas, 21 3/8 x 28 1/8 in. (54.3 x 71.4 cm), Purchase: William Rockhill Nelson Trust, 32-78

Claude Gellée, called Le Lorrain, Landscape with a Piping Shepherd, 1667, oil on canvas, 20 1/2 x 27 3/8 in. (52.1 x 69.5 cm), Purchase: William Rockhill Nelson Trust, 31-57

fullscreen Claude Gellée, called Le Lorrain, Landscape with a Piping Shepherd, 1667, oil on canvas, 20 1/2 x 27 3/8 in. (52.1 x 69.5 cm), Purchase: William Rockhill Nelson Trust, 31-57

Claude Gellée, called Le Lorrain, Mill on the Tiber, ca. 1650, and Landscape with a Piping Shepherd, 1667

May 2024

Attributed to Joseph Karl Stieler, Portrait of a Gentleman, ca. 1815, oil on canvas, 25 9/16 x 21 1/8 in. (64.9 x 53.7 cm), Purchase: William Rockhill Nelson Trust, 35-38/2

fullscreen Attributed to Joseph Karl Stieler, Portrait of a Gentleman, ca. 1815, oil on canvas, 25 9/16 x 21 1/8 in. (64.9 x 53.7 cm), Purchase: William Rockhill Nelson Trust, 35-38/2

Charles François Daubigny, The Banks of the Oise at Auvers, 1874, oil on wood panel, 15 3/8 x 26 5/16 in. (39.1 x 66.8 cm), Purchase: William Rockhill Nelson Trust, 33-164

fullscreen Charles François Daubigny, The Banks of the Oise at Auvers, 1874, oil on wood panel, 15 3/8 x 26 5/16 in. (39.1 x 66.8 cm), Purchase: William Rockhill Nelson Trust, 33-164

Attributed to Joseph Karl Stieler, Portrait of a Gentleman, ca. 1815*

Charles François Daubigny, The Banks of the Oise at Auvers, 1874*

April 2024

François Boucher, Venus with Cupid, 1750s, pastel mounted on card, 14 15/16 x 8 7/16 in. (37.9 x 21.4 cm), Purchase: William Rockhill Nelson Trust, 66-16

fullscreen François Boucher, Venus with Cupid, 1750s, pastel mounted on card, 14 15/16 x 8 7/16 in. (37.9 x 21.4 cm), Purchase: William Rockhill Nelson Trust, 66-16

Pierre Bonnard, The White Cupboard, 1931–1932, oil on canvas, 49 3/8 x 36 3/4 in. (125.4 x 93.4 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.1

fullscreen Pierre Bonnard, The White Cupboard, 1931–1932, oil on canvas, 49 3/8 x 36 3/4 in. (125.4 x 93.4 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.1

François Boucher, Venus with Cupid, 1750s*

Pierre Bonnard, The White Cupboard, 1931–1932*

March 2024

Hyacinthe Rigaud, Portrait of Esther d’Usson (née de Jaussaud or Jossaud, dame de Tarabel), Marquise de Bonnac, 1706–1707, oil on canvas, 54 7/16 x 41 1/16 in. (138.3 x 104.3 cm), Purchase: acquired through the generosity of Mary Runnells, F77-14

fullscreen Hyacinthe Rigaud, Portrait of Esther d’Usson (née de Jaussaud or Jossaud, dame de Tarabel), Marquise de Bonnac, 1706–1707, oil on canvas, 54 7/16 x 41 1/16 in. (138.3 x 104.3 cm), Purchase: acquired through the generosity of Mary Runnells, F77-14

Attributed to Rose Adélaïde Ducreux, Portrait of Marie Thérèse Diane Andrault (née Maignard de la Vaupalière, 1768–1790), Comtesse de Langeron, ca. 1790, oil on canvas, 51 1/4 x 38 3/8 in. (130.2 x 97.5 cm), Purchase: William Rockhill Nelson Trust, 54-66

fullscreen Attributed to Rose Adélaïde Ducreux, Portrait of Marie Thérèse Diane Andrault (née Maignard de la Vaupalière, 1768–1790), Comtesse de Langeron, ca. 1790, oil on canvas, 51 1/4 x 38 3/8 in. (130.2 x 97.5 cm), Purchase: William Rockhill Nelson Trust, 54-66

Hyacinthe Rigaud, Portrait of Esther d’Usson (née de Jaussaud or Jossaud, dame de Tarabel), Marquise de Bonnac, 1706–1707*

Attributed to Rose Adélaïde Ducreux, Portrait of Marie Thérèse Diane Andrault (née Maignard de la Vaupalière, 1768–1790), Comtesse de Langeron, ca. 1790*

February 2024

Etienne Aubry, Scene from “Lucile,” ca. 1775, oil on paper, mounted on canvas, 13 5/16 × 18 5/16 in. (33.9 × 46.6 cm), Gift of Allan Katz and Nancy Cohn, 2022.5

fullscreen Etienne Aubry, Scene from “Lucile,” ca. 1775, oil on paper, mounted on canvas, 13 5/16 × 18 5/16 in. (33.9 × 46.6 cm), Gift of Allan Katz and Nancy Cohn, 2022.5

François Boucher, Jupiter in the Guise of Diana, and the Nymph Callisto, 1759, oil on canvas, 22 3/4 x 27 1/2 in. (57.8 x 69.9 cm), Purchase: William Rockhill Nelson Trust, 32-29

fullscreen François Boucher, Jupiter in the Guise of Diana, and the Nymph Callisto, 1759, oil on canvas, 22 3/4 x 27 1/2 in. (57.8 x 69.9 cm), Purchase: William Rockhill Nelson Trust, 32-29

Etienne Aubry, Scene from “Lucile”, ca. 1775*

François Boucher, Jupiter in the Guise of Diana, and the Nymph Callisto, 1759*

January 2024

Théodore Géricault, The Oath of Brutus after the Death of Lucretia, ca. 1815–1816, oil on canvas, 15 3/16 x 18 5/16 in. (38.6 x 46.5 cm), Purchase: William Rockhill Nelson Trust, 92-35

fullscreen Théodore Géricault, The Oath of Brutus after the Death of Lucretia, ca. 1815–1816, oil on canvas, 15 3/16 x 18 5/16 in. (38.6 x 46.5 cm), Purchase: William Rockhill Nelson Trust, 92-35

Gustave Caillebotte, Portrait of Richard Gallo, 1881, oil on canvas, 38 1/4 x 45 7/8 in. (97.2 x 116.5 cm), Purchase: William Rockhill Nelson Trust, 89-35

fullscreen Gustave Caillebotte, Portrait of Richard Gallo, 1881, oil on canvas, 38 1/4 x 45 7/8 in. (97.2 x 116.5 cm), Purchase: William Rockhill Nelson Trust, 89-35

Théodore Géricault, The Oath of Brutus after the Death of Lucretia, ca. 1815–1816*

Gustave Caillebotte, Portrait of Richard Gallo, 1881*

December 2023

Edgar Degas, Junior Milliners, 1882, Pastel on beige, medium-weight, wove paper wrapped onto original cardboard mount, 19 1/4 x 28 1/4 in. (48.9 x 71.8 cm), Purchase: acquired through the generosity of an anonymous donor, F79-34

fullscreen Edgar Degas, Junior Milliners, 1882, Pastel on beige, medium-weight, wove paper wrapped onto original cardboard mount, 19 1/4 x 28 1/4 in. (48.9 x 71.8 cm), Purchase: acquired through the generosity of an anonymous donor, F79-34

Edgar Degas, After the Bath: Seated Woman Drying Herself, ca. 1885, charcoal with pastel on cream, wove paper, sheet (irregular): 14 x 10 1/2 in. (35.6 x 26.7 cm), image (irregular): 13 3/8 x 9 3/4 in. (34 x 24.8 cm), Gift of Mrs. David M. Lighton, 35-39/1

fullscreen Edgar Degas, After the Bath: Seated Woman Drying Herself, ca. 1885, charcoal with pastel on cream, wove paper, sheet (irregular): 14 x 10 1/2 in. (35.6 x 26.7 cm), image (irregular): 13 3/8 x 9 3/4 in. (34 x 24.8 cm), Gift of Mrs. David M. Lighton, 35-39/1

Edgar Degas, Junior Milliners, 1882

Edgar Degas, After the Bath: Seated Woman Drying Herself, ca. 1885

November 2023

Constant Troyon, Cattle Pasture in the Touraine, 1853, oil on canvas, 39 5/16 x 51 5/16 in. (99.9 x 130.3 cm), Purchase: William Rockhill Nelson Trust, 31-47

fullscreen Constant Troyon, Cattle Pasture in the Touraine, 1853, oil on canvas, 39 5/16 x 51 5/16 in. (99.9 x 130.3 cm), Purchase: William Rockhill Nelson Trust, 31-47

Vincent van Gogh, Head of a Man, mid- to late March 1885, oil on canvas, 16 9/16 x 12 9/16 in. (42.1 x 31.9 cm), Purchase: William Rockhill Nelson Trust, 37-1

fullscreen Vincent van Gogh, Head of a Man, mid- to late March 1885, oil on canvas, 16 9/16 x 12 9/16 in. (42.1 x 31.9 cm), Purchase: William Rockhill Nelson Trust, 37-1

Constant Troyon, Cattle Pasture in the Touraine, 1853*

Vincent van Gogh, Head of a Man, mid- to late March 1885

October 2023

Paul Signac, The Château Gaillard, View from My Window, Petit-Andely, 1886, oil on canvas, 17 11/16 x 25 9/16 in. (44.9 x 64.9 cm), Purchase: acquired through the generosity of an anonymous donor, F78-13. © 2023 Artists Rights Society (ARS), New York

fullscreen Paul Signac, The Château Gaillard, View from My Window, Petit-Andely, 1886, oil on canvas, 17 11/16 x 25 9/16 in. (44.9 x 64.9 cm), Purchase: acquired through the generosity of an anonymous donor, F78-13. © 2023 Artists Rights Society (ARS), New York

Paul Signac, Portrieux, The Bathing Cabins, Opus 185 (Beach of the Countess), 1888, oil on canvas, 13 1/8 x 18 1/4 in. (33.3 x 46.4 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.23. © 2023 Artists Rights Society (ARS), New York

fullscreen Paul Signac, Portrieux, The Bathing Cabins, Opus 185 (Beach of the Countess), 1888, oil on canvas, 13 1/8 x 18 1/4 in. (33.3 x 46.4 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.23. © 2023 Artists Rights Society (ARS), New York

Paul Signac, The Château Gaillard, View from My Window, Petit-Andely, 1886*

Paul Signac, Portrieux, The Bathing Cabins, Opus 185 (Beach of the Countess), 1888*

September 2023

Jean-Baptiste Greuze, The Nursemaids, ca. 1765, oil on canvas, 12 7/16 x 15 11/16 in. (31.6 x 39.8 cm), Purchase: William Rockhill Nelson Trust, 31-61

fullscreen Jean-Baptiste Greuze, The Nursemaids, ca. 1765, oil on canvas, 12 7/16 x 15 11/16 in. (31.6 x 39.8 cm), Purchase: William Rockhill Nelson Trust, 31-61

Nicolas de Largillierre, Augustus the Strong, Elector of Saxony and King of Poland, ca. 1715, oil on canvas, 57 1/2 x 45 1/2 in. (146.1 x 115.6 cm), Purchase: William Rockhill Nelson Trust, 54-35

fullscreen Nicolas de Largillierre, Augustus the Strong, Elector of Saxony and King of Poland, ca. 1715, oil on canvas, 57 1/2 x 45 1/2 in. (146.1 x 115.6 cm), Purchase: William Rockhill Nelson Trust, 54-35

Jean-Baptiste Greuze, The Nursemaids, ca. 1765

Nicolas de Largillierre, Augustus the Strong, Elector of Saxony and King of Poland, ca. 1715*

August 2023

Attributed to Sébastien Bourdon, The Adoration of the Magi, ca. 1639, oil on canvas, 25 1/8 x 36 7/8 in. (63.8 x 93.7 cm), Gift of Mr. and Mrs. Robert L. Bloch in honor of Geraldine E. Fowle, F85-20

fullscreen Attributed to Sébastien Bourdon, The Adoration of the Magi, ca. 1639, oil on canvas, 25 1/8 x 36 7/8 in. (63.8 x 93.7 cm), Gift of Mr. and Mrs. Robert L. Bloch in honor of Geraldine E. Fowle, F85-20

Camille Pissarro, The Market at Pontoise or (The Market at Gisors), 1895, oil on canvas, 18 1/4 x 15 1/8 in. (46.4 x 38.4 cm), Purchase: William Rockhill Nelson Trust, 33-150

fullscreen Camille Pissarro, The Market at Pontoise or (The Market at Gisors), 1895, oil on canvas, 18 1/4 x 15 1/8 in. (46.4 x 38.4 cm), Purchase: William Rockhill Nelson Trust, 33-150

Émile Bernard, The Artist’s Grandmother, 1887, oil on canvas, 21 3/4 x 17 3/8 in. (55.3 x 44.2 cm), Purchase: Thomas L. Beckett Fund in memory of Samuel F. Beckett and Ethel K. Beckett, 2017.19

fullscreen Émile Bernard, The Artist’s Grandmother, 1887, oil on canvas, 21 3/4 x 17 3/8 in. (55.3 x 44.2 cm), Purchase: Thomas L. Beckett Fund in memory of Samuel F. Beckett and Ethel K. Beckett, 2017.19

Attributed to Sébastien Bourdon, The Adoration of the Magi, ca. 1639

Camille Pissarro, The Market at Pontoise (or The Market at Gisors), 1895, technical entry

Émile Bernard, The Artist’s Grandmother, 1887

July 2023

Thomas Couture, The Illness of Pierrot, 1867–1868, oil on panel, 13 13/16 x 16 15/16 in. (35.1 x 43 cm), Purchase: William Rockhill Nelson Trust, 32-15

fullscreen Thomas Couture, The Illness of Pierrot, 1867–1868, oil on panel, 13 13/16 x 16 15/16 in. (35.1 x 43 cm), Purchase: William Rockhill Nelson Trust, 32-15

Camille Pissarro, Waterworks of the Marly Machine at Bougival, 1871, oil on canvas, 12 3/8 x 17 3/4 in. (31.4 x 45.1 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.16

fullscreen Camille Pissarro, Waterworks of the Marly Machine at Bougival, 1871, oil on canvas, 12 3/8 x 17 3/4 in. (31.4 x 45.1 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.16

Thomas Couture, The Illness of Pierrot, 1867–1868*

Camille Pissarro, Waterworks of the Marly Machine at Bougival, 1871*

June 2023

Claude Joseph Vernet, Seaport with Antique Ruins: Morning, 1751, oil on canvas, 26 5/16 x 34 1/8 in. (66.8 x 86.7 cm), Purchase: acquired through the generosity of Sophia K. Goodman, F84-66/1

fullscreen Claude Joseph Vernet, Seaport with Antique Ruins: Morning, 1751, oil on canvas, 26 5/16 x 34 1/8 in. (66.8 x 86.7 cm), Purchase: acquired through the generosity of Sophia K. Goodman, F84-66/1

Claude Joseph Vernet, Coastal Harbor with a Pyramid: Evening, 1751, oil on canvas, 26 3/8 x 34 1/8 in. (67 x 86.7 cm), Purchase: acquired through the generosity of Sophia K. Goodman, F84-66/2

fullscreen Claude Joseph Vernet, Coastal Harbor with a Pyramid: Evening, 1751, oil on canvas, 26 3/8 x 34 1/8 in. (67 x 86.7 cm), Purchase: acquired through the generosity of Sophia K. Goodman, F84-66/2

Claude Joseph Vernet, Seaport with Antique Ruins: Morning, 1751, and Coastal Harbor with a Pyramid: Evening, 1751*

May 2023

Camille Pissarro, Wooded Landscape at L’Hermitage, Pontoise, 1879, oil on canvas, 18 5/16 x 22 1/16 in. (46.5 x 56 cm), Gift of Dr. and Mrs. Nicholas S. Pickard, F84-90

fullscreen Camille Pissarro, Wooded Landscape at L’Hermitage, Pontoise, 1879, oil on canvas, 18 5/16 x 22 1/16 in. (46.5 x 56 cm), Gift of Dr. and Mrs. Nicholas S. Pickard, F84-90

Camille Pissarro, The Market at Pontoise or (The Market at Gisors), 1895, oil on canvas, 18 1/4 x 15 1/8 in. (46.4 x 38.4 cm), Purchase: William Rockhill Nelson Trust, 33-150

fullscreen Camille Pissarro, The Market at Pontoise or (The Market at Gisors), 1895, oil on canvas, 18 1/4 x 15 1/8 in. (46.4 x 38.4 cm), Purchase: William Rockhill Nelson Trust, 33-150

Camille Pissarro, Wooded Landscape at L’Hermitage, Pontoise, 1879*

Camille Pissarro, The Market at Pontoise (or The Market at Gisors), 1895*

April 2023

Jean Etienne Liotard, A Lady in Turkish Dress and Her Servant, ca. 1750, oil on canvas, 28 1/2 x 22 1/2 in. (72.4 x 57.2 cm), Purchase: William Rockhill Nelson Trust, 56-3

fullscreen Jean Etienne Liotard, A Lady in Turkish Dress and Her Servant, ca. 1750, oil on canvas, 28 1/2 x 22 1/2 in. (72.4 x 57.2 cm), Purchase: William Rockhill Nelson Trust, 56-3

Alfred Sisley, The Embankment at Billancourt—Snow, ca. 1879, oil on canvas, 18 1/8 x 21 15/16 in. (46 x 55.7 cm), Bequest from the collection of Mr. and Mrs. W. J. Brace, 75-6

fullscreen Alfred Sisley, The Embankment at Billancourt—Snow, ca. 1879, oil on canvas, 18 1/8 x 21 15/16 in. (46 x 55.7 cm), Bequest from the collection of Mr. and Mrs. W. J. Brace, 75-6

Jean Etienne Liotard, A Lady in Turkish Dress and Her Servant, ca. 1750

Alfred Sisley, The Embankment at Billancourt—Snow, ca. 1879*

March 2023

Georges Seurat, Study for “Bathers at Asnières,” 1883, oil on panel, 6 7/8 x 10 3/8 in. (17.5 x 26.4 cm), Purchase: William Rockhill Nelson Trust, 33-15/3

fullscreen Georges Seurat, Study for “Bathers at Asnières,” 1883, oil on panel, 6 7/8 x 10 3/8 in. (17.5 x 26.4 cm), Purchase: William Rockhill Nelson Trust, 33-15/3

Georges Seurat, Study for “The Channel of Gravelines, Petit Fort Philippe,” 1890, oil on panel, 6 1/4 x 9 7/8 in. (15.9 x 25.1 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.22

fullscreen Georges Seurat, Study for “The Channel of Gravelines, Petit Fort Philippe,” 1890, oil on panel, 6 1/4 x 9 7/8 in. (15.9 x 25.1 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.22

Georges Seurat, Study for “Bathers at Asnières," 1883

Georges Seurat, Study for “The Channel of Gravelines, Petit Fort Philippe," 1890

February 2023

Anne Louis Girodet-Trioson, Sleeping Bacchus, 1790/1791, oil on panel, 14 11/16 x 18 1/4 in. (37.3 x 46.4 cm), Purchase: Nelson Gallery Foundation through the exchange of various Foundation properties, F98-2

fullscreen Anne Louis Girodet-Trioson, Sleeping Bacchus, 1790/1791, oil on panel, 14 11/16 x 18 1/4 in. (37.3 x 46.4 cm), Purchase: Nelson Gallery Foundation through the exchange of various Foundation properties, F98-2

William Adolphe Bouguereau, Italian Woman at the Fountain, 1869, oil on canvas, 39 3/4 x 31 7/8 in (101 x 81 cm), Gift of Mr. and Mrs. M. B. Nelson, F88-17

fullscreen William Adolphe Bouguereau, Italian Woman at the Fountain, 1869, oil on canvas, 39 3/4 x 31 7/8 in (101 x 81 cm), Gift of Mr. and Mrs. M. B. Nelson, F88-17

Anne Louis Girodet-Trioson, Sleeping Bacchus, 1790/1791*

William-Adolphe Bouguereau, Italian Woman at the Fountain, 1869

January 2023

Alfred Sisley, Rue de la Princesse, Evening, 1875, oil on canvas, 24 x 19 5/8 in. (61 x 49.9 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.25

fullscreen Alfred Sisley, Rue de la Princesse, Evening, 1875, oil on canvas, 24 x 19 5/8 in. (61 x 49.9 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.25

Alfred Sisley, The Lock of Saint-Mammès, 1885, oil on canvas, 15 x 21 1/2 in. (38.1 x 54.6 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.24

fullscreen Alfred Sisley, The Lock of Saint-Mammès, 1885, oil on canvas, 15 x 21 1/2 in. (38.1 x 54.6 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.24

Alfred Sisley, Rue de la Princesse, Evening, 1875*

Alfred Sisley, The Lock of Saint-Mammès, 1885*

December 2022

Eugène Fromentin, A Ravine: Souvenir of Algeria, 1874, oil on wood panel, 47 7/16 x 41 5/16 in. (120.5 x 104.9 cm), Purchase: William Rockhill Nelson Trust, 34-103

fullscreen Eugène Fromentin, A Ravine: Souvenir of Algeria, 1874, oil on wood panel, 47 7/16 x 41 5/16 in. (120.5 x 104.9 cm), Purchase: William Rockhill Nelson Trust, 34-103

Christian Adolf Schreyer, Algerian Horsemen near an Oasis (possibly Biskra), ca. 1863, oil on canvas, 24 x 29 in. (61 x 73.7 cm), Purchase: William Rockhill Nelson Trust, 32-10

fullscreen Christian Adolf Schreyer, Algerian Horsemen near an Oasis (possibly Biskra), ca. 1863, oil on canvas, 24 x 29 in. (61 x 73.7 cm), Purchase: William Rockhill Nelson Trust, 32-10

Eugène Fromentin, A Ravine: Souvenir of Algeria, 1874*

Christian Adolf Schreyer, Algerian Horsemen near an Oasis (possibly Biskra), ca. 1863*

November 2022

Philippe de Champaigne, Christ on the Cross, ca. 1655, oil on canvas, 35 5/8 x 22 1/16 in. (90.5 x 56 cm), Purchase: William Rockhill Nelson Trust, 70-1

fullscreen Philippe de Champaigne, Christ on the Cross, ca. 1655, oil on canvas, 35 5/8 x 22 1/16 in. (90.5 x 56 cm), Purchase: William Rockhill Nelson Trust, 70-1

Charles Émile Jacque, Sheep At the Watering Hole, ca. 1888, oil on canvas, 29 1/8 x 39 15/16 in. (74 x 101.4 cm), Purchase: William Rockhill Nelson Trust, 31-88

fullscreen Charles Émile Jacque, Sheep At the Watering Hole, ca. 1888, oil on canvas, 29 1/8 x 39 15/16 in. (74 x 101.4 cm), Purchase: William Rockhill Nelson Trust, 31-88

Philippe de Champaigne, Christ on the Cross, ca. 1655*

Charles-Émile Jacque, Sheep at the Watering Hole, ca. 1888

October 2022

Etienne Aubry, The First Lesson of Fraternal Friendship, 1773 or 1775, oil on canvas, 31 1/4 x 38 1/2 in. (79.4 x 97.8 cm), Purchase: William Rockhill Nelson Trust, 32-167

fullscreen Etienne Aubry, The First Lesson of Fraternal Friendship, 1773 or 1775, oil on canvas, 31 1/4 x 38 1/2 in. (79.4 x 97.8 cm), Purchase: William Rockhill Nelson Trust, 32-167

Léon-Augustin Lhermitte, Potato Planting in Spring, 1888, pastel and charcoal on paper, mounted on canvas, 16 7/8 x 22 3/8 in. (42.9 x 56.8 cm), Gift of James W. Sight and Dr. Heidi Harman in honor of the 75th anniversary of The Nelson-Atkins Museum of Art, 2014.21

fullscreen Léon-Augustin Lhermitte, Potato Planting in Spring, 1888, pastel and charcoal on paper, mounted on canvas, 16 7/8 x 22 3/8 in. (42.9 x 56.8 cm), Gift of James W. Sight and Dr. Heidi Harman in honor of the 75th anniversary of The Nelson-Atkins Museum of Art, 2014.21

Claude Monet, Mill at Limetz, 1888, oil on canvas, 36 3/4 x 29 in. (93.4 x 73.7 cm), Former collection of the Nelson-Atkins Museum of Art, D38-1986

fullscreen Claude Monet, Mill at Limetz, 1888, oil on canvas, 36 3/4 x 29 in. (93.4 x 73.7 cm), Former collection of the Nelson-Atkins Museum of Art, D38-1986

Etienne Aubry, The First Lesson of Fraternal Friendship, 1773 or 1775*

Léon-Augustin Lhermitte, Potato Planting in Spring, 1888

Claude Monet, Mill at Limetz, 1888^

September 2022

Jean-François Millet, Waiting, ca. 1853–1861, oil on canvas, 33 x 47 15/16 in. (83.8 x 121.7 cm), Purchase: William Rockhill Nelson Trust, 30-18

fullscreen Jean-François Millet, Waiting, ca. 1853–1861, oil on canvas, 33 x 47 15/16 in. (83.8 x 121.7 cm), Purchase: William Rockhill Nelson Trust, 30-18

Eugène Boudin, The Port of Deauville, ca. 1884, oil on panel, 10 1/8 x 13 3/4 in. (25.7 x 34.9 cm), Purchase: William Rockhill Nelson Trust, 33-14/1

fullscreen Eugène Boudin, The Port of Deauville, ca. 1884, oil on panel, 10 1/8 x 13 3/4 in. (25.7 x 34.9 cm), Purchase: William Rockhill Nelson Trust, 33-14/1

Eugène Boudin, Boats Decorated with Flags in the Port of Deauville, 1895, oil on maghogany panel, 10 1/2 x 13 3/4 in. (26.7 x 34.9 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.3

fullscreen Eugène Boudin, Boats Decorated with Flags in the Port of Deauville, 1895, oil on maghogany panel, 10 1/2 x 13 3/4 in. (26.7 x 34.9 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.3

Jean-François Millet, Waiting, ca. 1853–1861

Eugène Boudin, The Port of Deauville, ca. 1884, and Boats Decorated with Flags in the Port of Deauville, 1895*

August 2022

Camille Pissarro, Chestnut Grove at Louveciennes, 1872, oil on canvas, 16 3/8 x 21 in. (41.6 x 53.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.17

fullscreen Camille Pissarro, Chestnut Grove at Louveciennes, 1872, oil on canvas, 16 3/8 x 21 in. (41.6 x 53.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.17

Odilon Redon, The Green Vase, ca. 1900, oil on canvas, 28 3/4 x 21 1/4 in. (73 x 54 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.19

fullscreen Odilon Redon, The Green Vase, ca. 1900, oil on canvas, 28 3/4 x 21 1/4 in. (73 x 54 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.19

Camille Pissarro, Chestnut Grove at Louveciennes, 1872*

Odilon Redon, The Green Vase, ca. 1900

July 2022

Armand Guillaumin, Landscape, Ivry-sur-Seine, ca. 1874, oil on canvas, 19 3/8 x 25 3/4 in. (49.2 x 65.4 cm), Promised gift of Robert L. and Barbara Bloch in honor of his parents, Henry and Marion Bloch, and the 75th anniversary of The Nelson-Atkins Museum of Art, 27-1989

fullscreen Armand Guillaumin, Landscape, Ivry-sur-Seine, ca. 1874, oil on canvas, 19 3/8 x 25 3/4 in. (49.2 x 65.4 cm), Promised gift of Robert L. and Barbara Bloch in honor of his parents, Henry and Marion Bloch, and the 75th anniversary of The Nelson-Atkins Museum of Art, 27-1989

Camille Pissarro, Rue Saint-Honoré, Sun Effect, Afternoon, 1898, oil on canvas, 25 3/4 x 21 1/2 in. (65.4 x 54.6 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.18

fullscreen Camille Pissarro, Rue Saint-Honoré, Sun Effect, Afternoon, 1898, oil on canvas, 25 3/4 x 21 1/2 in. (65.4 x 54.6 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.18

Jean-Baptiste-Armand Guillaumin, Landscape, Ivry-sur-Seine, ca. 1874

Camille Pissarro, Paris, Rue Saint-Honoré, Sun Effect, Afternoon, 1898*

June 2022

Jean Auguste Dominique Ingres, Portrait of the Sculptor Paul Lemoyne, ca. 1810–1811, oil on canvas, 18 9/16 x 14 3/8 in. (47.2 x 36.5 cm), Purchase: William Rockhill Nelson Trust, 32-54

fullscreen Jean Auguste Dominique Ingres, Portrait of the Sculptor Paul Lemoyne, ca. 1810–1811, oil on canvas, 18 9/16 x 14 3/8 in. (47.2 x 36.5 cm), Purchase: William Rockhill Nelson Trust, 32-54

Gustave Caillebotte, Boat Moored on the Seine at Argenteuil, ca. 1886–1891, oil on canvas, 25 3/4 x 21 3/8 in. (65.4 x 54.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.5

fullscreen Gustave Caillebotte, Boat Moored on the Seine at Argenteuil, ca. 1886–1891, oil on canvas, 25 3/4 x 21 3/8 in. (65.4 x 54.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.5

Jean Auguste Dominique Ingres, Portrait of the Sculptor Paul Lemoyne, ca. 1810–1811

Gustave Caillebotte, Boat Moored on the Seine at Argenteuil, ca. 1886‒1891

May 2022

Adélaïde Labille-Guiard, Portrait of Joachim Lebreton, 1795, oil on canvas, 28 3/4 x 23 1/2 in. (73 x 59.7 cm), Purchase: Nelson Trust through the George H. and Elizabeth O. Davis Fund and the exchange of bequests and gifts of other donors and other Trust properties, 94-34

fullscreen Adélaïde Labille-Guiard, Portrait of Joachim Lebreton, 1795, oil on canvas, 28 3/4 x 23 1/2 in. (73 x 59.7 cm), Purchase: Nelson Trust through the George H. and Elizabeth O. Davis Fund and the exchange of bequests and gifts of other donors and other Trust properties, 94-34

Paul Cezanne, Mont Sainte-Victoire Seen from Les Lauves, 1904–1905, oil on canvas, 25 1/8 x 32 1/8 in. (63.8 x 81.6 cm), Purchase: William Rockhill Nelson Trust, 38-6

fullscreen Paul Cezanne, Mont Sainte-Victoire Seen from Les Lauves, 1904–1905, oil on canvas, 25 1/8 x 32 1/8 in. (63.8 x 81.6 cm), Purchase: William Rockhill Nelson Trust, 38-6

Adélaïde Labille-Guiard, Portrait of Joachim Lebreton, 1795

Paul Cezanne, Mont Sainte-Victoire Seen from Les Lauves, 1904–1905

April 2022

Paul Gauguin, Autumn in Brittany (The Willow Tree), 1889, oil on canvas, 36 1/4 x 28 7/8 in. (92.1 x 73.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.9

fullscreen Paul Gauguin, Autumn in Brittany (The Willow Tree), 1889, oil on canvas, 36 1/4 x 28 7/8 in. (92.1 x 73.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.9

Paul Gauguin, Landscape in Le Pouldu, 1894, oil on canvas, 36 1/4 x 27 1/2 in. (92.1 x 69.9 cm), Purchase: acquired through the generosity of an anonymous donor, F77-32

fullscreen Paul Gauguin, Landscape in Le Pouldu, 1894, oil on canvas, 36 1/4 x 27 1/2 in. (92.1 x 69.9 cm), Purchase: acquired through the generosity of an anonymous donor, F77-32

Paul Gauguin, Autumn in Brittany (The Willow Tree), 1889

Paul Gauguin, Landscape in Le Pouldu, 1894

March 2022

Jean-Baptiste Greuze, Head of a Girl, ca. 1770 or later, oil on canvas, 17 1/2 x 14 1/2 in. (44.5 x 36.8 cm), Purchase: William Rockhill Nelson Trust, 31-55

fullscreen Jean-Baptiste Greuze, Head of a Girl, ca. 1770 or later, oil on canvas, 17 1/2 x 14 1/2 in. (44.5 x 36.8 cm), Purchase: William Rockhill Nelson Trust, 31-55

Paul Cezanne, Man with a Pipe, 1890–1892, oil on canvas, 17 x 13 1/2 in. (43.2 x 34.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.6

fullscreen Paul Cezanne, Man with a Pipe, 1890–1892, oil on canvas, 17 x 13 1/2 in. (43.2 x 34.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.6

Jean-Baptiste Greuze, Head of a Girl, ca. 1770 or later

Paul Cezanne, Man with a Pipe, 1890–1892

February 2022

Pierre-Auguste Renoir, Study for “Young Girls Playing Volant”, ca. 1887, oil on canvas, 5 1/2 x 9 in. (14 x 22.9 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.21

fullscreen Pierre-Auguste Renoir, Study for “Young Girls Playing Volant”, ca. 1887, oil on canvas, 5 1/2 x 9 in. (14 x 22.9 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.21

Vincent van Gogh, Restaurant Rispal at Asnières, 1887, oil on canvas, 28 7/8 x 23 5/8 in. (73.3 x 60 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.10

fullscreen Vincent van Gogh, Restaurant Rispal at Asnières, 1887, oil on canvas, 28 7/8 x 23 5/8 in. (73.3 x 60 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.10

Pierre-Auguste Renoir, Study for “Young Girls Playing Volant”, ca. 1887

Vincent van Gogh, Restaurant Rispal at Asnières, 1887

January 2022

Edgar Degas, Dancer Making Points, ca. 1874–1876, pastel and gouache on paper mounted on board, 19 1/4 x 14 1/2 in. (48.9 x 36.8 cm), Gift of Marion and Henry Bloch, 2008.53

fullscreen Edgar Degas, Dancer Making Points, ca. 1874–1876, pastel and gouache on paper mounted on board, 19 1/4 x 14 1/2 in. (48.9 x 36.8 cm), Gift of Marion and Henry Bloch, 2008.53

Berthe Morisot, Daydreaming, 1877, pastel on canvas, 19 3/4 x 24 in. (50.2 x 61 cm), Purchase: acquired through the generosity of an anonymous donor, F79-47

fullscreen Berthe Morisot, Daydreaming, 1877, pastel on canvas, 19 3/4 x 24 in. (50.2 x 61 cm), Purchase: acquired through the generosity of an anonymous donor, F79-47

Edgar Degas, Dancer Making Points, ca. 1874–1876

Berthe Morisot, Daydreaming, 1877

December 2021

Edouard Manet, Portrait of Lise Campineanu, 1878, oil on canvas, 21 7/8 x 18 5/16 in. (55.6 x 46.5 cm), Purchase: William Rockhill Nelson Trust, 36-5

fullscreen Edouard Manet, Portrait of Lise Campineanu, 1878, oil on canvas, 21 7/8 x 18 5/16 in. (55.6 x 46.5 cm), Purchase: William Rockhill Nelson Trust, 36-5

Edouard Manet, White Lilacs in a Crystal Vase, ca. 1882, oil on canvas, 22 1/8 x 13 3/4 in. (56.2 x 34.9 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.12

fullscreen Edouard Manet, White Lilacs in a Crystal Vase, ca. 1882, oil on canvas, 22 1/8 x 13 3/4 in. (56.2 x 34.9 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.12

Edouard Manet, Portrait of Lise Campineanu, 1878

Edouard Manet, White Lilacs in a Crystal Vase, ca. 1882

November 2021

Eugène Boudin, The Beach, ca. 1865, pastel on paper, 7 1/2 x 11 5/8 in. (19.1 x 29.5 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.2

fullscreen Eugène Boudin, The Beach, ca. 1865, pastel on paper, 7 1/2 x 11 5/8 in. (19.1 x 29.5 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.2

Eugène Boudin, Trouville, Beach Scene, 1874, oil on wood panel, 8 1/8 x 16 1/4 in. (20.6 x 41.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.4

fullscreen Eugène Boudin, Trouville, Beach Scene, 1874, oil on wood panel, 8 1/8 x 16 1/4 in. (20.6 x 41.3 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.4

Eugène Boudin, The Beach, ca. 1865, and Trouville, Beach Scene, 1874

October 2021

Nicolas Poussin, The Triumph of Bacchus, 1635–1636, oil on canvas, 50 3/8 x 59 3/4 in. (128 x 151.8 cm), Purchase: William Rockhill Nelson Trust, 31-94

fullscreen Nicolas Poussin, The Triumph of Bacchus, 1635–1636, oil on canvas, 50 3/8 x 59 3/4 in. (128 x 151.8 cm), Purchase: William Rockhill Nelson Trust, 31-94

Jean Siméon Chardin, Still Life with Cat and Fish, 1728, oil on canvas, 31 1/2 x 25 1/4 in. (80 x 64.1 cm), Purchase: acquired through the generosity of an anonymous donor, F79-2

fullscreen Jean Siméon Chardin, Still Life with Cat and Fish, 1728, oil on canvas, 31 1/2 x 25 1/4 in. (80 x 64.1 cm), Purchase: acquired through the generosity of an anonymous donor, F79-2

Nicolas Poussin, The Triumph of Bacchus, 1635⁠–1636

Jean Siméon Chardin, Still Life with Cat and Fish, 1728

September 2021

Elisabeth Louise Vigée Le Brun, Portrait of Marie Gabrielle de Gramont, Comtesse de Caderousse, 1784, oil on oak panel, 41 3/8 x 29 7/8 in. (105.1 x 75.9 cm), Purchase: William Rockhill Nelson Trust, 86-20

fullscreen Elisabeth Louise Vigée Le Brun, Portrait of Marie Gabrielle de Gramont, Comtesse de Caderousse, 1784, oil on oak panel, 41 3/8 x 29 7/8 in. (105.1 x 75.9 cm), Purchase: William Rockhill Nelson Trust, 86-20

Eugène Delacroix, Christ on the Sea of Galilee, 1853 or earlier, oil on canvas, 18 x 12 1/2 in. (45.7 x 54.6 cm), Purchase: William Rockhill Nelson Trust, 89-16

fullscreen Eugène Delacroix, Christ on the Sea of Galilee, 1853 or earlier, oil on canvas, 18 x 12 1/2 in. (45.7 x 54.6 cm), Purchase: William Rockhill Nelson Trust, 89-16

Elisabeth Louise Vigée Le Brun, Portrait of Marie Gabrielle de Gramont, Comtesse de Caderousse, 1784

Eugène Delacroix, Christ on the Sea of Galilee, 1853 or earlier

August 2021

Claude Monet, Snow Effect at Argenteuil, 1875, oil on canvas, 21 9/16 x 25 11/16 in. (54.8 x 65.3 cm), Gift of the Laura Nelson Kirkwood Residuary Trust, 44-41/3

fullscreen Claude Monet, Snow Effect at Argenteuil, 1875, oil on canvas, 21 9/16 x 25 11/16 in. (54.8 x 65.3 cm), Gift of the Laura Nelson Kirkwood Residuary Trust, 44-41/3

Claude Monet, Snow Effect at Argenteuil, 1875, oil on canvas, 19 13/16 x 25 3/4 in. (50.3 x 65.4 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.14

fullscreen Claude Monet, Snow Effect at Argenteuil, 1875, oil on canvas, 19 13/16 x 25 3/4 in. (50.3 x 65.4 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.14

Claude Monet, Snow Effect at Argenteuil, 1875, and Snow Effect at Argenteuil, 1875

July 2021

Attributed to Honoré Daumier, Exit from the Theater, after 1863, oil on panel, 12 13/16 x 16 1/8 in. (32.6 x 41 cm), Purchase: William Rockhill Nelson Trust, 32-31

fullscreen Attributed to Honoré Daumier, Exit from the Theater, after 1863, oil on panel, 12 13/16 x 16 1/8 in. (32.6 x 41 cm), Purchase: William Rockhill Nelson Trust, 32-31

Narcisse Virgile Diaz de la Peña, The Approaching Storm, 1872, oil on wood panel, 31 1/8 x 41 3/8 in. (79.1 x 105.1 cm), Purchase: William Rockhill Nelson Trust, 31-60

fullscreen Narcisse Virgile Diaz de la Peña, The Approaching Storm, 1872, oil on wood panel, 31 1/8 x 41 3/8 in. (79.1 x 105.1 cm), Purchase: William Rockhill Nelson Trust, 31-60

Attributed to Honoré Daumier, Exit from the Theater, after 1863

Narcisse Virgile Diaz de la Peña, The Approaching Storm, 1872

June 2021

Pierre-Auguste Renoir, Pinning the Hat, 1890 or 1893, pastel on laid paper on laminated cardboard, 25 5/8 x 20 1/8 in. (65.1 x 51.1 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.20

fullscreen Pierre-Auguste Renoir, Pinning the Hat, 1890 or 1893, pastel on laid paper on laminated cardboard, 25 5/8 x 20 1/8 in. (65.1 x 51.1 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.20

Henri de Toulouse-Lautrec, Jane Avril Looking at a Proof, 1893, oil and dry media/crayon on paper, 20 1/4 x 12 5/8 in. (51.4 x 32.1 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.27

fullscreen Henri de Toulouse-Lautrec, Jane Avril Looking at a Proof, 1893, oil and dry media/crayon on paper, 20 1/4 x 12 5/8 in. (51.4 x 32.1 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.27

Pierre-Auguste Renoir, Pinning the Hat, 1890 or 1893

Henri de Toulouse-Lautrec, Jane Avril Looking at a Proof, 1893

May 2021

Gustave Courbet, Jo, the Irish Woman, ca. 1866–1868, oil on canvas, 21 3/8 x 25 in. (54.3 x 63.5 cm), Purchase: William Rockhill Nelson Trust, 32-30

fullscreen Gustave Courbet, Jo, the Irish Woman, ca. 1866–1868, oil on canvas, 21 3/8 x 25 in. (54.3 x 63.5 cm), Purchase: William Rockhill Nelson Trust, 32-30

Claude Monet, Boulevard des Capucines, 1873–1874, oil on canvas, 31 5/8 x 23 3/4 in. (80.3 x 60.3 cm), Purchase: the Kenneth A. and Helen F. Spencer Foundation Acquisition Fund, F72-35

fullscreen Claude Monet, Boulevard des Capucines, 1873–1874, oil on canvas, 31 5/8 x 23 3/4 in. (80.3 x 60.3 cm), Purchase: the Kenneth A. and Helen F. Spencer Foundation Acquisition Fund, F72-35

Gustave Courbet, Jo, the Irish Woman, ca. 1866–1868

Claude Monet, Boulevard des Capucines, 1873—1874

April 2021

Jean-Baptiste-Camille Corot, View of Lake Garda, ca. 1865–1870, oil on canvas, 24 x 36 5/8 in. (61 x 93 cm), Gift of Clarke Bunting in memory of his wife, Catherine Conover Bunting, 80-44

fullscreen Jean-Baptiste-Camille Corot, View of Lake Garda, ca. 1865–1870, oil on canvas, 24 x 36 5/8 in. (61 x 93 cm), Gift of Clarke Bunting in memory of his wife, Catherine Conover Bunting, 80-44

Berthe Morisot, Under the Orange Tree, 1889, oil on canvas, 21 1/2 x 25 7/8 in. (54.6 x 65.7 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.15

fullscreen Berthe Morisot, Under the Orange Tree, 1889, oil on canvas, 21 1/2 x 25 7/8 in. (54.6 x 65.7 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.15

Jean-Baptiste-Camille Corot, View of Lake Garda, ca. 1865–1870

Berthe Morisot, Under the Orange Tree, 1889

March 2021

François Boucher, Landscape with a Water Mill, 1740, oil on canvas, 51 5/16 x 64 1/4 in. (130.3 x 163.2 cm), Purchase: William Rockhill Nelson Trust, 59-1

fullscreen François Boucher, Landscape with a Water Mill, 1740, oil on canvas, 51 5/16 x 64 1/4 in. (130.3 x 163.2 cm), Purchase: William Rockhill Nelson Trust, 59-1

Paul Gauguin, Faaturuma (Melancholic), 1891, oil on canvas, 37 x 26 7/8 in. (94 x 68.3 cm), Purchase: William Rockhill Nelson Trust, 38-5

fullscreen Paul Gauguin, Faaturuma (Melancholic), 1891, oil on canvas, 37 x 26 7/8 in. (94 x 68.3 cm), Purchase: William Rockhill Nelson Trust, 38-5

François Boucher, Landscape with a Water Mill, 1740

Paul Gauguin, Faaturuma (Melancholic), 1891

February 2021

Edouard Manet, The Croquet Party, 1871, oil on canvas, 18 x 28 3/4 in. (45.7 x 73 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.11

fullscreen Edouard Manet, The Croquet Party, 1871, oil on canvas, 18 x 28 3/4 in. (45.7 x 73 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.11

Edgar Degas, Rehearsal of the Ballet, ca. 1876, gouache and pastel over monotype on laid paper, plate: 22 1/4 x 27 1/2 in. (56.5 x 70 cm), sheet (irregular): 23 13/16 x 29 3/16 in. (60.5 x 74.2 cm), Purchase: the Kenneth A. and Helen F. Spencer Foundation Acquisition Fund, F73-30

fullscreen Edgar Degas, Rehearsal of the Ballet, ca. 1876, gouache and pastel over monotype on laid paper, plate: 22 1/4 x 27 1/2 in. (56.5 x 70 cm), sheet (irregular): 23 13/16 x 29 3/16 in. (60.5 x 74.2 cm), Purchase: the Kenneth A. and Helen F. Spencer Foundation Acquisition Fund, F73-30

Edouard Manet, The Croquet Party, 1871

Edgar Degas, Rehearsal of the Ballet, ca. 1876

Paul Cezanne, Quarry at Bibémus, 1895–1900, oil on canvas, 25 3/4 x 21 1/2 in. (65.4 x 54.6 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.7

fullscreen Paul Cezanne, Quarry at Bibémus, 1895–1900, oil on canvas, 25 3/4 x 21 1/2 in. (65.4 x 54.6 cm), Gift of Henry W. and Marion H. Bloch, 2015.13.7

Vincent van Gogh, Olive Trees, June/September 1889, oil on canvas, 28 3/4 x 36 1/4 in. (73 x 92.1 cm), Purchase: William Rockhill Nelson Trust, 32-2

fullscreen Vincent van Gogh, Olive Trees, June/September 1889, oil on canvas, 28 3/4 x 36 1/4 in. (73 x 92.1 cm), Purchase: William Rockhill Nelson Trust, 32-2

Paul Cezanne, Quarry at Bibémus, 1895–1900

Vincent van Gogh, Olive Trees, June/September 1889