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HomeIn the NewsAt the Nelson’s Picasso Show, You’ll Get a Rare Glimpse of This Art — and a KC Touch

At the Nelson’s Picasso Show, You’ll Get a Rare Glimpse of This Art — and a KC Touch

Through the Eyes of Picasso

The Kansas City Star

October 15, 2017 9:00 AM

By Matt Campbell
mcampbell@kcstar.com
The ceremonial mask looks like a work by Picasso.

Or is that Picasso painting inspired by a mask from New Guinea?

That’s the heart of a major Picasso exhibition focusing on his fascination with the art of Africa, Oceania and the Americas. Straight from Paris, the show opens Friday at the Nelson-Atkins Museum of Art.

Kansas City is the only booking in the United States, although the exhibit will appear later in Montreal.

But the Kansas City exhibit, “Through the Eyes of Picasso,” has been customized by the Nelson. It has more pieces than the Paris show and is supplemented by local private collections and by intimate photographs of Picasso taken by Kansas City native David Douglas Duncan, who gave them to the Nelson in 2013.

Nelson-Atkins CEO Julián Zugazagoitia has been itching to stage a Picasso show since arriving in Kansas City more than seven years ago.

“I’m passionate,” Zugazagoitia said recently as he energetically conducted his first preview tour while workers were still installing spotlights in the featured exhibition space at the south end of the Bloch addition to the art gallery.

“Picasso” actually fills three galleries, being one of the largest temporary shows the art museum has staged. It features 170 pieces of art, including more than 60 paintings, sculptures and other works by Picasso as well as more than 20 pieces of primitive art that he collected and kept until his death in 1973. Many pieces are on view in America for the first time.

Picasso was a conventional artist who was an accomplished painter at age 14. But in his mid-20s, his view of art was forever changed by a visit to the Musée d’Ethnographie du Trocadéro in Paris.

“A smell of dampness, of rot, stuck in my throat,” Picasso said of that 1907 visit. “It depressed me so much that I wanted to get out fast. But I stayed and studied.”

He saw that the allure of primitive works of art was in the abstraction of the human form. Why shouldn’t that face have two noses? So what if the mouth is on the side of the face?

“This brought him a freedom and a way to explore the human figure,” Zugazagoitia said.

The exhibition offers side-by-side pairings of African, Oceanic and American art, and the Picasso creations they inspired.

“Picasso” was five or six years in the making, from conception to research and negotiation.

“This is complex because Picasso’s work is so much in demand,” Zugazagoitia said.

This exhibition was originally curated by the Musée du Quai Branly and the Musée Picasso-Paris.

It contains reproductions of two of Picasso’s most famous and important paintings. Les Demoiselles d’Avignon documents the breakthrough inspiration that followed the Trocadéro visit. Guernica represents the bombing of a Basque town during the Spanish Civil War. Zugazagoitia likened the originals to the Mona Lisa: The museums that own them do not lend them out.

Kathleen Leighton, the Nelson’s manager of media relations, said the gallery is expecting great interest from the public in the Picasso exhibit, which will run through April 8. Tickets are $18 for adults, higher than the normally free museum usually charges for special exhibitions. But a “Picasso” ticket will also include admission to another show opening Dec. 16 in the Chinese Temple Room that will feature a jade burial suit.

Matt Campbell: 816-234-4902, @MattCampbellKC

 

The Nelson-Atkins Museum of Art

The Nelson-Atkins in Kansas City is recognized nationally and internationally as one of America’s finest art museums. The museum opens its doors free of charge to people of all backgrounds.

The Nelson-Atkins serves the community by providing access to its renowned collection of more than 42,000 art objects and is best known for its Asian art, European and American paintings, photography, modern sculpture, and Native American and Egyptian galleries. Housing a major art research library and the Ford Learning Center, the Museum is a key educational resource for the region. In 2017, the Nelson-Atkins celebrated the 10-year anniversary of the Bloch Building, a critically acclaimed addition to the original 1933 Nelson-Atkins Building.

The Nelson-Atkins is located at 45th and Oak Streets, Kansas City, MO. Hours are 10 a.m.–5 p.m. Friday through Monday; 10 a.m.–9 p.m. Thursday; closed Tuesday and Wednesday. Admission to the museum is free to everyone. For museum information, phone 816.751.1ART (1278) or visit nelson-atkins.org.


For media interested in receiving further information, please contact:

Kathleen Leighton, Manager, Media Relations and Video Production
The Nelson-Atkins Museum of Art
816.751.1321
kleighton@nelson-atkins.org