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Painted Worlds: Color and Culture in Mesoamerican Art
HomeExhibitionsPainted Worlds: Color and Culture in Mesoamerican Art

Painted Worlds: Color and Culture in Mesoamerican Art

Rotating three images of Mesoamerican statues

The Nelson-Atkins Museum of Art’s first presentation of Mesoamerican art in 40 years, Painted Worlds: Color and Culture in Mesoamerican Art explores the relationships between color, the cosmos, and creation — both divine and artistic — in the region comprising much of modern-day Mexico and Central America. 

Effigy vessel of female figure
Female Effigy Vessel, Huastec, 900–1200 C.E. Ceramic, 10 3/4 x 8 1/2 x 8 inches (27.4 x 21.6 x 20.3 cm). Los Angeles County Museum of Art.
Sequence in red of moon phases

A sacred spectrum 

Painted Worlds traces a color-coded journey through the story of creation: from birth to maturity to primordial darkness. Along the way, learning stations and multimedia experiences teach us about the sciences of color-making, interpret dialogues between Western and Indigenous practices, and map the Mesoamerican idea of the cosmos.  

Painted image on old paper of red warrior figure with colorful animals and patterns.

Living arts 

Spanning 3,000 years of Indigenous Mesoamerican art, Painted Worlds reveals how traditions continued from the pre-Hispanic past to today — often disrupted and changed by colonial forces. The contemporary Indigenous artists featured in this exhibition are in conversation with their ancestors, having maintained and revitalized traditional knowledge. 

Fri, Sep 26 | 10:00 am – 2:00 pm

Homeschool Day 2025 – Color Your World

FREE

Bloch Lobby

Wed, Oct 29 | 6:00 pm – 9:00 pm

SOF/BC Member Opening: Painted Worlds

FREE

Bloch Lobby

Thu, Oct 30 | 6:00 pm – 9:00 pm

FOA Member Opening: Painted Worlds: Color and Culture in Mesoamerican Art

FREE

Bloch Lobby

Thu, Nov 06 | 5:00 pm – 7:00 pm

Opening Reception for Educators: Painted Worlds

Members FREE | Public $8

FLC

Sat, Nov 15 | 10:30 am – 11:30 am

Book Discussion: You Dreamed of Empires by Álvaro Enrigue

FREE

Art Reference Library

A woman engages with a digital interactive screen within the gallery.

Selected artworks

Watercolor image of tree with cosmic patterns
Alfonso Nava Larios. Cosmic Tree (Guamuchil), 2023.  Watercolor on amate, 23 5/8 x 15 ¾ inches (60 x 40 cm). Los Angeles County Museum of Art. © Alfonso Nava Larios, photo © Museum Associates/LACMA, by Javier Hinojosa.
Blue and white clay statue of warrior
Masked Male Figure with Dance Staff, Maya, Mexico, Campeche, Jaina Island, 700–900 C.E.  Ceramic with post-fire pigment, Figure: 7 1/4 x 4 1/2 x 2 3/4 inches (18.42 x 11.43 x 6.99 cm). Los Angeles County Museum of Art, Gift of John Gilbert Bourne. Photo © Museum Associates/LACMA.
Three feminine figures of identical color and shape seated
Untitled, Teotihuacan, Mexico, Basin of Mexico, Teotihuacan, 200–250 C.E. Ceramic, 4 × 3 ⅜ × 2 ⅜ inches (10 × 8.5 × 6 cm). Acervo de la Zona de Teotihuacan.
Watercolor depiction of gray tree with skeletal figures
Jesús Lozano Paredes. Cosmic Tree (Pochote), 2023.  Watercolor on amate, 23 5/8 x 15 ¾ inches (60 x 40 cm). Los Angeles County Museum of Art. © Jesús Lozano Paredes, photo © Museum Associates/LACMA, by Javier Hinojosa.
A plate with red and brown images painted across
Plate with Teotihuacan War Serpent on White and Black Backgrounds, Maya, Guatemala or Mexico, Northern Petén or Southern Campeche, 650–800 C.E.  Slip-painted ceramic, 16 x 15 ½ x 3 inches (40.6 x 39.4 x 7.6 cm). Los Angeles County Museum of Art.
Urna funeraria, Mixtec, Mexico, Oaxaca, 300–600 C.E. Ceramic with pigment, 13 3/8 × 6 3/4 inches (34 × 17 cm). Museo de las Culturas de Oaxaca. Photo courtesy of Museo de las Culturas de Oaxaca/Ex Convento de Santo Domingo Guzmán.  
Figural Urn, Zapotec, 500–600 C.E.  Clay and pigment, 25 x 25 x 12 1/2 inches (63.5 x 63.5 x 31.75 cm). The Nelson-Atkins Museum of Art, Purchase: William Rockhill Nelson Trust, 61-16. 
Figural Urn, Zapotec, 500 C.E.  Clay and pigment, 21 × 11 × 12 inches (53.34 × 27.94 × 30.48 cm). The Nelson-Atkins Museum of Art, Gift of Estelle and Morton Sosland, 73-40. 
Eva Peréz Martínez. Zacatlaxcalli Vignette, Nahua, Mexico, Guerrero, Xalitla, 2023.  Watercolor on amate, 7 7/8 x 11 3/4 inches (20 x 30 cm). Los Angeles County Museum of Art, commissioned with funds provided by Lillian Weiner. © Eva Peréz Martínez, photo © Museum Associates/LACMA, by Javier Hinojosa. 
Figurilla deidad o sobrenatural, Toltec, Mexico, Central Highlands, 650–900 C.E.  Ceramic, 8 1/8 x 4 7/8 x 3 1/2 inches (20.6 x 12.4 x 8.9 cm). Museo Nacional de Antropología, México. 

Organized by the Los Angeles County Museum of Art. Major loans courtesy of the Instituto Nacional de Antropología e Historia, Mexico. In Kansas City, generous support provided by Lilly Endowment Inc., Paul DeBruce and Linda Woodsmall-DeBruce, G. Kenneth and Ann Baum Philanthropic Fund, Evelyn Craft Belger and Richard Belger, Nancy and Rick Green, Don Hall Jr., Shirley and Barnett Helzberg Jr., Neil Karbank and Gretchen Calhoun, Richard J. Stern Foundation for the Arts, the Campbell/Calvin Fund for Exhibitions, and the Henry & Marion Bloch Foundation Fund.

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