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HomePress ReleasesNelson-Atkins Sculpture Conservation Work Takes Place in September

Nelson-Atkins Sculpture Conservation Work Takes Place in September

Three Bowls sculpture on the South east lawn of the Nelson-Atkins

FOR IMMEDIATE RELEASE

Generous Grant from Bank of America Allows for Three Bowls Restoration in View of Public

Kansas City, MO. Aug. 14, 2024–A popular nine-foot-tall sculpture at The Nelson-Atkins Museum of Art in Kansas City will undergo needed conservation work in full view of the public Sept. 3-6 thanks to a generous grant from Bank of America. Three Bowls, Ursula von Rydingsvard’s monumental cedar and graphite sculpture on the east side of the Donald J. Hall Sculpture Park, consists of three interlocking, hollow bowl forms. Cement footings support the bowls and stainless-steel rods attach them to the footings, with drainage existing beneath each.

“We are deeply grateful to Bank of America for funding this important project and for their continued stewardship of art conservation around the world,” said Julián Zugazagoitia, Director & CEO of the Nelson-Atkins.

An assessment of Three Bowls uncovered several condition issues that require immediate attention.

Three Bowls has developed a weathered and sun-bleached appearance, along with a few deep cracks, due to prolonged exposure to the elements,” said Mary Schafer, Head, Conservation and Senior Conservator. “Conservation staff, in collaboration with the artist’s studio, will treat the sculpture and install a new landscape barrier to ensure its long-term protection.”

The museum purchased Three Bowls from Galerie Lelong in New York City in 1999 through the generosity of The Hall Family Foundation, the George H. and Elizabeth O. Davis Fund, G. Kenneth Baum, and Judy and Alan Kosloff. Three Bowls was installed on the grounds of the Kansas City Sculpture Park, which is now the Donald J. Hall Sculpture Park, in 2005.

Bank of America awarded conservation grants to 24 nonprofit cultural institutions around the world this year. The bank’s Art Conservation Project, which launched in 2010, has granted museums large and small across the world with more than $20 million to conserve paintings, tapestries, sculptures, photographs, and other works of art, says Brian Siegel, global arts, culture, and heritage executive. Each year, the project fields 80 to 100 proposals from nonprofit cultural institutions and chooses between 20 and 25 with the assistance of a panel of conservation professionals. The merit of each proposal is considered, but the evaluators also want to ensure funding reaches a variety of artworks and institutions across the globe.

“We are delighted to support The Nelson-Atkins Museum of Art with a grant from the Bank of America Art Conservation Project,” said Matt Linski, president, Bank of America Kansas City. “The funding will enable needed conservation of the sculpture Three Bowls, created by Ursula von Rydingsvard, and demonstrates our commitment to maintaining and elevating diverse works of art for future generations to treasure.”

For the onsite treatment days, the artist’s assistant will fill cracks in the cedar timber with hand-carved wood shims and reapply graphite powder to restore the surface’s original appearance. Once the treatment is complete, protective coatings will be applied to help prolong the sculpture’s renewed condition. Ursula von Rydingsvard (b. 1942) is an important figure in the world of contemporary sculpture. Born in Germany during World War II to parents of Polish descent, she spent the first eight years of her life in camps for displaced people. These early experiences with deprivation, austere living conditions, and instability inform both the form and content of her work. Von Rydingsvard transforms ordinary, domestic, and agricultural implements, the family tools of survival, into extraordinary, monumental objects.

Three Bowls references Minimalism in terms of its massive, iconic form and seriality. Its agitated, expressive surfaces recall those of Alberto Giacometti’s sculptures. In the tradition of Eva Hesse, von Rydingsvard’s art is deeply involved with process and institution. She sculpts intuitively and without drawings or models to guide her process. The roughly hewn, steeply vertical surfaces of Three Bowls are reminiscent of weathered, rocky cliffs. This impression is reinforced by saturating the wood with black graphite which silvers as it ages.

When it was acquired in 1999, Three Bowls represented a significant addition to the Kansas City Sculpture Park (now the Donald J. Hall Sculpture Park) on the grounds of The Nelson-Atkins Museum of Art. The 22-acre park features 45 sculptures and welcomes more than 125,000 visitors annually as a valued urban greenspace. Three Bowls is the only wooden sculpture in the sculpture park.


Organized by The Nelson-Atkins Museum of Art. Generous support provided by the Hall Family Foundation.


Image captions:
Ursula von Rydingsvard, American, born Germany (b. 1942). Three Bowls, 1990. Cedar and graphite. 112 x 190 x 96 inches (284.5 x 482.6 x 243.8 cm). Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase: William Rockhill Nelson Trust through the generosity of the Hall Family Foundation, the George H. and Elizabeth O. Davis Fund, G. Kenneth Baum, and Judy and Alan Kosloff, 99-9 A-C. © Ursula von Rydingsvard. Photo courtesy Nelson-Atkins Digital Production & Preservation, Jamison Miller, E. G. Schempf (wide angle image).

The Nelson-Atkins Museum of Art

The Nelson-Atkins in Kansas City is recognized nationally and internationally as one of America’s finest art museums. The museum opens its doors free of charge to people of all backgrounds.

The Nelson-Atkins serves the community by providing access to its renowned collection of more than 42,000 art objects and is best known for its Asian art, European and American paintings, photography, modern sculpture, and Native American and Egyptian galleries. Housing a major art research library and the Ford Learning Center, the Museum is a key educational resource for the region. In 2017, the Nelson-Atkins celebrated the 10-year anniversary of the Bloch Building, a critically acclaimed addition to the original 1933 Nelson-Atkins Building.

The Nelson-Atkins is located at 45th and Oak Streets, Kansas City, MO. Hours are 10 a.m.–5 p.m. Friday through Monday; 10 a.m.–9 p.m. Thursday; closed Tuesday and Wednesday. Admission to the museum is free to everyone. For museum information, phone 816.751.1ART (1278) or visit nelson-atkins.org.


For media interested in receiving further information, please contact:

Kathleen Leighton, Manager, Media Relations and Video Production
The Nelson-Atkins Museum of Art
816.751.1321
kleighton@nelson-atkins.org