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HomePress ReleasesThe Nelson-Atkins Museum of Art Adds Associate Curator 

The Nelson-Atkins Museum of Art Adds Associate Curator 

Kansas City, MO. Sept. 29, 2015

Rima Girnius Joins European Painting and Sculpture Department 

Photo credit: Kim Rice
Photo credit: Kim Rice

After a lengthy national search, The Nelson-Atkins Museum of Art in Kansas City has named Rima Girnius Associate Curator of European Painting and Sculpture. Girnius, until recently a curator at the Figge Art Museum in Davenport, Iowa, specializes in Early Modern Art of Germany and the Netherlands. She received her PhD in 2007 from Bryn Mawr College. Her dissertation was Rembrandt’s Spaces. 

“Rima’s stellar research made her stand out from the many applicants we considered,” said Julián Zugazagoitia, the Menefee D. and Mary Louise Blackwell CEO & Director of the Nelson-Atkins. “She enjoyed huge academic success as a post-doctoral fellow at the Indianapolis Museum of Art as the recipient of the Art Clowes Fellowship, which is highly competitive. She is an outstanding addition to our staff.”

The search for an Associate Curator was launched in Spring 2015, and candidates from both large and small institutions were interviewed.

“Rima is extremely well-regarded, and she has been involved in numerous highly collaborative exhibition projects at the Figge,” said Catherine Futter, Louis L. and Adelaide C. Ward Senior Curator of European Arts. “It is Rima’s desire to return to her love of Old Masters that seemed a wonderful balance between scholarship and diverse exhibition experience that strongly appealed to us.”

Girnius curated 20 original exhibitions drawn from the permanent collection while at the Figge, and developed a contemporary art program with particular focus on installation art. She was a guest lecturer on exhibition conception, development and design for the Western Illinois University

Museum Studies Program. While at the Indianapolis Museum of Art, Girnius conducted research on Dutch, German, and Flemish works of art and pursued in-depth provenance research.

She joins the Nelson-Atkins as the museum prepares the exhibition Reflecting Class in the Age of Rembrandt and Vermeer, an innovative exhibition that is the first to examine seventeenth-century Dutch paintings in light of the new Republic’s social structure. Through 75 carefully selected and arranged works, this exhibition will present the ways in which Dutch paintings reflect various socio-economic groups showcasing the ways these groups wanted to be depicted, were perceived by those depicting them, or were imagined to be by those buying such depictions. By exploring how class distinctions were expressed and the associations each group held, a more nuanced picture of Dutch society will emerge. The exhibition, which was organized by the MFA in Boston, runs from Feb. 20 – May 29, 2016.

“It is a great pleasure and privilege to be joining the Nelson Atkins, an institution that I have long admired for its amazing collections and equally remarkable commitment to engaging the diverse communities it serves,” said Girnius. “I look forward to contributing to the museum’s efforts to provide its visitors with dynamic exhibitions and programs that help enrich their appreciation of art.”

A graduate of the University of Notre Dame, Girnius received both her Master’s and PhD from Bryn Mawr College. She specialized in Early Modern Art of Germany and the Netherlands, as well as aesthetic reception and theories of spaces. A native of Lithuania, Girnius grew up in Europe, primarily Munich, Germany. She completed her secondary education in Prague, the Czech Republic.

The Nelson-Atkins Museum of Art 

The Nelson-Atkins in Kansas City is recognized nationally and internationally as one of America’s finest art museums. The Nelson-Atkins serves the community by providing access and insight into its renowned collection of more than 35,000 art objects and is best known for its Asian art, European and American paintings, photography, modern sculpture, and new American Indian and Egyptian galleries. Housing a major art research library and the Ford Learning Center, the Museum is a key educational resource for the region. The institution-wide transformation of the Nelson-Atkins has included the 165,000-square-foot Bloch Building expansion and renovation of the original 1933 Nelson-Atkins Building.

The Nelson-Atkins is located at 45th and Oak Streets, Kansas City, MO. Hours are Wednesday, 10 a.m.–5 p.m.; Thursday/Friday, 10 a.m.–9 p.m.; Saturday, 10 a.m.–5 p.m.; Sunday, 10 a.m.–5 p.m. Admission to the museum is free to everyone. For museum information, phone 816.751.1ART (1278) or visit nelson-atkins.org/.

The Nelson-Atkins Museum of Art

The Nelson-Atkins in Kansas City is recognized nationally and internationally as one of America’s finest art museums. The museum opens its doors free of charge to people of all backgrounds.

The Nelson-Atkins serves the community by providing access to its renowned collection of more than 42,000 art objects and is best known for its Asian art, European and American paintings, photography, modern sculpture, and Native American and Egyptian galleries. Housing a major art research library and the Ford Learning Center, the Museum is a key educational resource for the region. In 2017, the Nelson-Atkins celebrated the 10-year anniversary of the Bloch Building, a critically acclaimed addition to the original 1933 Nelson-Atkins Building.

The Nelson-Atkins is located at 45th and Oak Streets, Kansas City, MO. Hours are 10 a.m.–5 p.m. Friday through Monday; 10 a.m.–9 p.m. Thursday; closed Tuesday and Wednesday. Admission to the museum is free to everyone. For museum information, phone 816.751.1ART (1278) or visit nelson-atkins.org.


For media interested in receiving further information, please contact:

Kathleen Leighton, Manager, Media Relations and Video Production
The Nelson-Atkins Museum of Art
816.751.1321
kleighton@nelson-atkins.org