The Nelson-Atkins
Hokusai: Masterpieces from the Spencer Museum of Art, the Richardson-North Collection, and The Nelson-Atkins Museum of Art
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Hokusai: Masterpieces from the Spencer Museum of Art, the Richardson-North Collection, and The Nelson-Atkins Museum of Art

Katsushika Hokusai (1760–1849) is one of the most creative and versatile artists in the history of Japanese art. Drawn from extensive collections in the Kansas City area, Hokusai: Masterpieces from the Spencer Museum of Art, the Richardson-North Collection, and The Nelson-Atkins Museum of Art introduces Hokusai’s enduring paintings and prints in the context of Hokusai’s time.

A lifelong pioneer
In his career spanning more than 70 years, Hokusai explored new forms of expression, drawing artistic methods and ideas from both Japanese and non-Japanese sources.

Hokusai was a forerunner in ukiyo-e, an art genre reflecting popular interests, such as portraits of celebrities and famous places.

He was deeply involved in the art and culture of Edo (present-day Tokyo), then one of the most populated metropolitan cities in the world. There, he immersed himself in poet circles, for whom he created illustrations responding to their poems.


 

New horizons
Around age 70, Hokusai designed the print series Thirty-Six Views of Mount Fuji, which includes the print famously known as the Great Wave. The series was a huge success, and pushed landscapes into the mainstream of ukiyo-e.

Hokusai’s mastery inspired artists and art lovers during and after his life, in Japan and around the world.


A deeper dive through the centuries
This exhibition is a free companion to Hokusai: Waves of Inspiration from the Museum of Fine Arts, Boston, which highlights works from Hokusai’s extensive career as well as past and contemporary artists he inspired. Reserve your tickets today.

Flowers and Three Fans Two Chinese women examining thread Flowering Plum Eishi-Kewai Tomeki And Nihoiat Sumicho Matsubaya Monkey Riding Tortise

Image Captions:
Header & top right: Katsushika Hokusai (Japanese, 1760–1849). View of Togetsu Bridge at Arashiyama in Yamashiro from the series Remarkable Views of Famous Bridges in Various Provinces, ca. 1834. Woodblock print; ink and color on paper. 9 15/16 x 14 ¾ in. The Nelson-Atkins Museum of Art. Purchase: William Rockhill Nelson Trust, 32-143/185.
Middle left: Katsushika Hokusai (Japanese, 1760–1868). Mitsui Shop at Surugachō from the series Thirty-Six Views of Mount Fuji, ca. 1831. Woodblock print; ink and color on paper. 10 1/8 x 15 inches. The Nelson-Atkins Museum of Art. Purchase: William Rockhill Nelson Trust, 32-72/23.
Slideshow: (In order of appearance)
Katsushika Hokusai (Japanese, 1760–1849). Daikoku Lifting a Rice Bale, 1825. Color woodcut. 8 3/8 x 7 1/8 in. Spencer Museum of Art.
Totoya Hokkei (Japanese, 1780–1850). Adonis Flowers and Three Fans, 1839. Color woodcut. 7 ¾ x 7 1/8 in. Spencer Museum of Art.
Yashima Gakutei (Japanese, 1786–1868). Two Chinese Women Examining Thread and a Spider’s Web in a Box, 1824. Woodblock prints; ink, color, and metallic pigment on paper. 7 3/8 x 8 7/16 in. and 7 7/16 x 8 ¼ in. Collection of Kathryn Richardson and Bruce North.
Katsushika Hokusai (Japanese, 1760–1849). Flowering Plum, ca. 1810–11. Hanging scroll; ink and color on silk. Overall: 81 1/8 x 20 ½ in. The Nelson-Atkins Museum of Art. Purchase: William Rockhill Nelson Trust, 32-83/7.
Chōbunsai Eishi (Japanese, 1756–1829). Kewai, Tomeki, and Nihoi at Sumichō Matsubaya, late 18th century. Woodblock print; ink and color on paper. 14 ¾ x 10 in. The Nelson-Atkins Museum of Art. Purchase: William Rockhill Nelson Trust, 32-143/135.
Katsushika Hokusai (Japanese, 1760–1849). Monkey Riding Tortoise from the series Old Tales of Wisdom, Benevolence, and Bravery, 1824. Woodblock print; ink, color, and metallic pigment on paper. 8 ¼ x 7 3/8 in. Collection of Kathryn Richardson and Bruce North.